β€Ί
assessing market...
selecting model...
crafting story...
A bullshit AI startup on the verge of making it discovers everyone else might be faking it.
AI is changing the nature of work. And it's actually really funny.
The economy is being rewritten in real time. Human value is up for debate. This is the defining story of the decade β€” and it's almost invisible in scripted media.
But technology is moving too fast for TV. It needs a model to match the market β€” short form, social native, and straight from the office.
Someone is going to make the defining tech satire of the AI era. And it should probably be a tech company.
SILICON VALLEY meets THE STUDIO…in this economy?
Shot in three-minute episodes, VIBE CODE is built for flexible distribution. Vertical cutouts are written into the script. After airing, clips are spliced into the format and grammar that performs best on Instagram, TikTok, X, and yes β€” LinkedFuckingIn β€” where core audiences are deeply underserved.
One production pipeline, infinite permutations.
ADVANCING MODELS
Scripted, branded, social-native content is exploding. Bilt's ROOMIES has pulled 8 million views. ClickUp's comedy content generates 200 million monthly impressions. And e.l.f. Cosmetics just premiered a branded mockumentary at the Chinese Theatre.
This is the fastest growing medium for story delivery β€” and it's still in its infancy. With refined narrative and filmmaking craft, the format can be used to make something more potent and durable. And one company gets to make it their own.
creator & writer
HUMAN RESOURCE (11 festival selections Β· feature in development). Narrative consultant and writer for tech.
director
SELAH AND THE SPADES (Sundance) Β· THE YOUNG WIFE (SXSW) Β· DAVE (FXX) Β· THE TWILIGHT ZONE (CBS).
producers
Co-founder, SOLNIQUE. 20th Television (ONLY MURDERS IN THE BUILDING, UP HERE). Branded content: Nike, Dior, Vince Camuto, Brooks Brothers.
RECLUSE (Tribeca 2026) Β· THE GRIEF OF OTHERS (SXSW Β· Cannes) Β· THE LANDING (Off-Broadway).
βœ•
message sent. stay tuned.