A short-form comedy inside the AI revolution.
economy updating...
labor transforming...
anxiety loading...
MAX can feel it. A content writer at a tech company, he shelved his Hollywood dreams to play it safe. But his safety net becomes a noose when the company starts using AI to do his job and he's downgraded to a contractor. These days, he's just a little language model compared to the new giants on the block. But he just might need them to survive.
FRANKIE fucking loves it. The hype beast account manager has been preaching the primacy of "agency" since GPT-3.5 dropped and sees Max's "liberation" as the catalyst to activate growth for the both of them. All gas, no brakes, Frankie wants to build and ship — if only he knew how to build anything.
JAY thinks they're fucking idiots. The cynical sales engineer with a mortgage knows what's coming, and insists Max get another real job and avoid the permanent underclass.
TAYARISHA has a camera and a Claude subscription. She's been shooting marketing content with Max and now finds his crash out way more interesting than customer journey videos. She vibe codes everything — chopping and mixing Max's worst moments into clips for her socials. A mom with a directing career behind her, she'll use any tool necessary to stay afloat in the new chaos.
When Tayarisha's remixes of Max's firing go viral on Instagram, they see an opportunity to finally make something real. The only problem is they don't have ideas, leaving them with one option: vibe code a series.
FORMAT
Shot with phones and cameras, the series is multi-modal and multi-channel — from vertical clips to full mockumentary episodes to an expanded universe of remixes and cutaways across platforms.
ECONOMICS
By living inside real tech offices with characters who create content for a living, the show can partner with companies and double as a vehicle for branding and culture.
creator & writer
Human Resource (9 festival selections · feature in development)
director
Selah and the Spades (Sundance) · The Young Wife (SXSW) · Dave · The Twilight Zone
producer
The Grief of Others (SXSW · Cannes) · Recluse (Tribeca) · The Landing
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